Part of the joy of his art is that you can draw together your own version of his canon from a scattered field, picking up on the pieces that most attract you. In the rush to fete Thug for his radical talents, it's important to draw distinctions between what records work, and which ones do not-or those which sort of work, if you look at them from the right angle. The inclusion of Wayne feature "Take Kare" (which has been out since last year) may be yet another pointed dig at Thug's idol (the two have since had a falling out), but it was also an anticlimax. "Power", produced by London on da Track, seems like something left on the cutting room floor from the Barter sessions, and if it was, it's easy to hear why: where each Barter record made up a discrete facet of the album's sound, "Power" sounds a little bit like three of them at once-consummate filler.
It's unclear why certain records made the cut and others didn't. Thug's biggest fans would be better off compiling their own greatest hits from the pile, and Thug neophytes will find this year's Barter 6 or last year's Rich Gang tape a much more consistent entryway. Some of them- "Hey I" is a particular standout-are superior to many of the records here. Part of the problem is that Thug's catalog has already been flooded with leaks and unofficial releases. Nevertheless, Thug remains one of hip-hop's most exciting stylists, consistent even amid inconsistency, and there are moments worth savoring. "Ask 300", the beatmaker tweeted-a reference to Thug's label-when questioned about the more diverse production lineup of the final tracklist.) The bulk of these songs are for Thug completists, or those convinced of his infallibility. (Initially Slime Season was to be produced entirely by London on da Track. Some feel more like workouts, perhaps cut quickly during marathon recording sessions. It's not clear he even wants to be a songwriter on all these records one gets the impression the tape's been compiled ex post facto, a few fully-fleshed out classics mixed in with studio dross. An odds-and-ends compilation with no coherent vision, the tape finds Thug rapping at a high level, but performing less consistently as a songwriter. Track listing No.If you're new to Young Thug, don't start with Slime Season. Spin stated that "this is simply rap’s foremost stylist mouthing off ferociously on all cylinders." HotNewHipHop called it "just the game-changer we expected it to be, showcasing an even more confident and experimental Thugger than we heard on Barter 6." Pitchfork called the mixtape "an odds-and-ends compilation with no coherent vision," but wrote that "Thug remains one of hip-hop's most exciting stylists" and pointed out the tracks "Freaky," "Draw Down," and "Wood Would" as highlights. Under the Gun called it "an abstract masterwork" and "2015's hip-hop answer to jamming sonic psychedelia. Slime Season received critical acclaim from critics, with an aggregate score of 80 out of 100 on Metacritic.
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The title pays homage to Ola Playa, a rapper from Young Thug's YSL Gang who released his own Slime Season mixtape in March 2014.Ĭritical reception Professional ratings Aggregate scores The mixtape received a sequel, Slime Season 2, which was released the following month. The material may date back at least one year.
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Slime Season was compiled from archival material in an attempt to circumvent a series of 2015 data leaks which saw hundreds of unreleased Young Thug tracks uploaded to the internet.